Gerwig said wanted to create a feeling of "authentic artificiality" for the set and even used a hand-painted backdrop of the sky and the mountains rather than CGI. ![]() "The world ran out of pink," she told Architectural Digest. Greenwood told the magazine that constructing the set resulted in an international shortage of the fluorescent shade of Rosco paints. "I wanted the pinks to be very bright, and everything to be almost too much," she said adding that she didn't want to forget "what made me love Barbie when I was a little girl." ![]() ![]() The director - who brought classic tales like "Snow White" and "Little Women" to the big screen - insisted that everything on set had to be pink because "maintaining the 'kid-ness' was paramount."
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